![]() ![]() Since the beginning of TLH, Alberto has always sought his father’s approval by committing crimes like him. That statement can be interpreted as both a sign of protest towards his sister and his level of acceptance. ![]() ![]() In his dying words, Alberto claims he is not his father. Being a super-villain is the new way of committing crimes and it is now permanent. Being a mobster has no use in Gotham City. This conflict becomes literal as Two-Face and the gang systematically murder the remaining heads of the mob families. Loeb uses Sofia’s character transformation as a parallel metaphor to show how new crime has overtaken old, traditional crimes. She has a secret identity as the Hangman, a gimmick crime, and even a mask. She also embodies all the standard tropes of a super-villain. ![]() Sofia has transformed herself into another super-villain, not just a regular mobster. This may be more about her methods and less philosophical. Sofia cutting her left side signals that she identifies more with Two-Face, despite hating him. Similarly, Two-Face’s scars are on the left side, implying that the two are mirror opposites. Her father had scratch marks on the right side of his face. The act of cutting her face is an interesting notion. Sofia Gigante purposefully scars her face to resemble Two-Face. ![]()
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